Track By Track: A Death Over The Radio

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Jonfrid Eliasen Photography

Next from Coldform is A Death Over The Radio.
I started this song while in the backseat of my parents’ car on the way to see my great grandfather who had recently turned 100. It started with the raspy “respirator” synth sound and the various piano melodies, and was left as that for a little while.
I later started sequencing drums, and ended up using a lot of samples from a brush kit because I liked how fluid they felt. Underneath, the rest was essentially basic dance drum patterns.
I tried playing this one live at the release party for my first album World Makers, but it just didn’t seem right; something was missing.
I took the tune to Jesse Manou from Other Families to lay down some electric guitar. He gave me one mean take, and that’s what you can hear in the finished song.

A lot of time passed, and I had moved to Montreal for school. My Great Grandfather died and I started to think about what the song was really about. I got a message one day about the account name for one of my other projects from someone named Súsanna Herálvsdóttir. She wanted to use the name for her own project, Dóttir (pictured). I gave it to her, and discovered that she had the most lovely voice.
I sent her the instrumental to muse over, and after a few months she gave back the recorded vocals. I remember getting really excited upon hearing them for the first time- I immediately called Astrolope and told him to come over and hear them.

A lot of time and small mix revisions later, and the song was finished. For me, this was one of my favourite songs off the album and marked the first time I collaborated with someone I didn’t know in real life.

Listen to A Death Over The Radio: http://bit.ly/1rptc5R

Stay tuned for the process behind the next song; Yourself Open!

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Track By Track: A Death Over The Radio

Track By Track: It Turns You On

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The next song on Coldform is It Turns You On.
This song is a bit harder to remember the process behind, but I do know that it started as a solo piano demo.
What changed it was when I ran the piano through a shitload of distortion and realized the lead melody sounded way better that way. I ended up redoing it with a distorted softsynth.
From there I programmed some pretty robotic dance beats and had the skeleton for what became the first chorus.

Once I moved to Montreal, Astrolope (pictured above, around that time) came into the equation and played the pots and pans you can hear in the intro section, as well as made the drums way better overall.
I eked out the bass line with the bass guitar that I would later learn to play, and we ended up with a pretty bare tune.
Izzy came in and did the vocals all in one day. The garbled speech heard toward the beginning is her rapping some of the nastiest shit I’ve ever heard, which was then warped to hell. We wrote the lyrics based on what we thought we heard in the mangled version. Lyrically, we wanted to write a song that was more fun than serious.

This song went through about 10 versions and two years before we were happy with it, and now you can listen to it knowing that Isabella Davis has a rapper alter-ego called Li’l Izzy.

Listen to It Turns You On: http://bit.ly/1RUYYRJ

Next up: A Death Over The Radio!

Track By Track: It Turns You On